Collection: Thomas Kinkade (1958-2012) Artist Biography and Gallery Collection

Thomas Kinkade (January 19, 1958 – April 6, 2012) was an American painter of popular realistic, pastoral, and idyllic subjects. He is notable for his success, during his lifetime, with the mass marketing of his work as printed reproductions and other licensed products via the Thomas Kinkade Company. According to Kinkade's company, one in every twenty American homes owns a copy of one of his paintings. He described himself as a "Painter of Light", a phrase Thomas Kinkade protected through trademark, but which was originally used hundreds of years ago to describe the English artist J. M. W. Turner (1775–1851).

Thomas Kinkade was born on January 19, 1958, in Sacramento County, California. He grew up in the town of Placerville, graduated from El Dorado High School in 1976, and attended University of California, Berkeley, and Art Center College of Design in Pasadena.  Recurring features of Kinkade's paintings are their glowing highlights and pastel colors. Rendered in highly idealistic values of American scene painting, his works often portray bucolic and idyllic settings such as gardens, streams, stone cottages, lighthouses and Main Streets. His hometown of Placerville (where his works are omnipresent) was the inspiration for many of his street and snow scenes.

Thomas Kinkade also depicted various Christian themes including the Christian cross and churches. Kinkade said he was placing emphasis on the value of simple pleasures and that his intent was to communicate inspirational, life-affirming messages through his paintings. A self-described "devout Christian" (even giving all four of his children the middle name "Christian", Kinkade believed he gained his inspiration from his religious beliefs and that his work was intended to contain a larger moral dimension. Many pictures contain specific chapter and verse allusions to Bible passages. Kinkade said, "I am often asked why there are no people in my paintings," but in 2009 he painted a portrait of the Indianapolis Speedway for the cover of that year's Indianapolis 500 race program that included details of the diversity of the crowd, hiding among them the figures of Norman Rockwell and Dale Earnhardt. He also painted the farewell portrait for Yankee Stadium. 

Some of the people who mentored and taught Thomas Kinkade prior to college were Charles Bell and Glenn Wessels. Wessels encouraged Kinkade to go to the University of California at Berkeley. Kinkade's relationship with Wessels is the subject of a semi-autobiographical film released in 2008, Christmas Cottage. After two years of general education at Berkeley, Kinkade transferred to the Art Center College of Design in Pasadena.

Thomas Kinkade received many awards for his works, including multiple National Association of Limited Edition Dealers (NALED) awards for Artist of the Year and Graphic Artist of the Year, and his art was named Lithograph of the Year nine times. In 2002, Kinkade was inducted into the California Tourism Hall of Fame as an individual who had influenced the public's perception of tourism in California through his images of California sights. He was selected along with fellow artists Simon Bull and Howard Behrens to commemorate the 2002 Salt Lake City Winter Olympics and the 2002 World Series. He was also honored with the 2002 World Children's Center Humanitarian Award for his contributions to improving the welfare of children and their families through his work with Kolorful Kids and Art for Children. In 2003, Kinkade was chosen as a national spokesperson for the Make-A-Wish Foundation. In 2004, he was selected for a second time by the Christmas Pageant of Peace to paint the National Christmas Tree in Washington, D.C. The painting, Symbols of Freedom, was the official image for the 2004 Pageant of Peace. In 2004, Kinkade received an award from NALED recognizing him as the Most Award Winning Artist in the Past 25 Years. In 2005, he was named the NALED Graphic Artist of the Year. He was also recognized for his philanthropic efforts by NALED with the Eugene Freedman Humanitarian Award.